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Jazz big band compositions that started as final projects for their Topics in Jazz Arranging class during the fall of 2019 have brought significant recognition for music alumni Yu Nishiyama, MM ’20, and Hunter McKay, MM ’20 from the prestigious ASCAP Foundation.
Nishiyama was named as one of 20 recipients of the 2021 Herb Alpert Young Jazz Composer Award, which recognizes gifted young jazz composers up to age 30. McKay was one of six composers to receive an honorable mention in the same competition.
Both are 2020 graduates of the University’s master of music program in jazz studies/arranging.
“Yu Nishiyama and Hunter McKay were always stand-out students in our master of music in jazz arranging program,” says Peter McGuinness, professor of music and head of the jazz arranging program. “While at William Paterson, both of these musicians demonstrated incredible creativity and a very prolific bounty of work. Now, they have gone on to make a real mark in the outside world. We could not be prouder!”
Nishiyama was honored for her composition for 17-piece big band, “Honorary Whites,” which explores the emotions she has felt in experiencing discrimination as a minority. “’Honorary whites’ is a term used to grant some of the rights and privileges of whites to those who had been treated as non-whites,” says Nishiyama, who came to the United States from Japan in 2013. “Racial discrimination is not only between black and white people, and there are so many other forms of discrimination that exist in this world.” The composition is one of five of her original big band works that will be featured in her upcoming album with the Yu Nishiyama Big Band, A Lotus in the Mud, slated for release in October 2021.
A jazz saxophonist and composer, Nishiyama earned her bachelor’s degree at the University of North Texas. She received the 2019 Herb Alpert Young Jazz Composer Award for her big band composition, “Gloomy Suite,” and was accepted into the prestigious BMI Jazz Composer’s Workshop in 2019. In addition to her own projects and performances, Nishiyama has given masterclasses in jazz saxophone and composition at universities in Japan and played the keyboard and multiple woodwinds in pit orchestras at different venues.
McKay received an honorable mention for his piece for full big band, “Engine Noise.” McKay says the work “is a direct result of my time living in New Jersey. While I was getting my master’s at WP, my girlfriend Emily was getting her master’s at McGill University in Montreal so we both travelled back and forth between the two areas a lot,” he explains. “’Engine Noise’ is inspired by the sounds of those train rides and it includes transcriptions of many of the sounds you’ll hear on NJ Transit, Amtrak, and the Montreal Metro, including ticket machines, train horns, track noise, warning bells, and door-closing chimes. I love composing for big band,” he adds, “and I hope to make that a large part of my career going forward so the encouragement of ASCAP means the world to me!”
McKay, a Boston-based saxophonist and composer, is a co-founder, with alumnus Skyler Hagner, MM ’20, of the New York City-based jazz composers collective, Abacus. They recently received a Jazz Road grant through South Arts to take the ensemble on a two-week tour of New England in July and August 2021. He also leads the newly founded virtual iteration of the Social Animals Big Band and is a member of Boston-based experimental quartet AHHA. As a sideman, he has performed with jazz and popular artists, including America's Got Talent winner Landau Eugene Murphy Jr. McKay, who earned a bachelor’s degree from the University of southern Maine, is a teaching fellow at the New England Conservatory of Music where he is pursuing a doctor of musical arts degree.
