Sittin’ In Meet-the-Artist sessions are one hour prior to each concert in Shea Recital Hall. Tickets: $15 General Public • $12 WP community and senior citizens • $8 non-WP studentsWP students admitted fee with ID • $3 additional charge per ticket on show day
Formed in 1986, this all-star trio includes the premiere performers guitarist Romero Lubambo, bassist Nilson Matta, and drummer/percussionist Daduka da Fonseca. They have made eight recordings, and their repertoire defines Brazilian jazz. Veterans of annual summer residencies at Dizzy’s Club Coca Cola at Jazz at Lincoln Center, they frequently appear in the world’s major venues. Their combination of virtuoso jazz-based improvisations and fluid Brazilian groove creates a musical combination that is found nowhere else, and we are excited to welcome them to kick off the 2019-20 Jazz Room season.
3:00 p.m. Sittin’ In Meet-the-Artist Session in Shea Recital Hall 101
Admission: $15 General Public • $12 WP faculty, staff, alumni, and senior citizens • $8 non-William Paterson students Please note: $3 additional charge on show day per ticket WP students are admitted free with ID.
Trio da Paz at Allmusic.com
The “saxophone battle” is a long tradition in jazz – this concert will be not so much a battle as an energized meeting of two great purveyors of the great post-bop tradition, both with deep William Paterson connections. Vincent Herring has been a member of the WP jazz faculty since 2006, profoundly affected by the great sound of Cannonball Adderley and a veteran of bands led by Lionel Hampton, Nat Adderley, Horace Silver, Art Blakey, Freddie Hubbard, Cedar Walton and many others. Eric Alexander is among the best-known alumni of the WP jazz program, is a mainstay in New York jazz clubs and in festivals worldwide, is an ongoing collaborator with his former teacher and mentor, pianist Harold Mabern, and has appeared on over 90 CDs as a guest artist. Both Herring and Alexander have a long list of recordings as individual leaders.
Vincent HerringEric Alexander
Internationally respected drummer and WP alumnus returns to his alma mater in a tribute to two of his mentors, drum legends Art Blakey and Elvin Jones. Allen has already built a major career, having led his own bands and appeared with numerous influential jazz performers, beginning with trumpeter Freddie Hubbard a year before graduating from WP. He has also collaborated with Michael and Randy Brecker, Benny Golson, J.J. Johnson, Wayne Shorter, Herbie Hancock, Cyrus Chestnut, Benny Green, Billy Childs and many others. His direct connection to Elvin Jones and to Blakey will be the inspiration for this powerful performance.
The multi-talented New York Voices are one of today’s premiere jazz vocal groups, celebrating their 30th year, with styles ranging from doo-wop to swing to modern jazz. This exciting concert will feature the Voices foursome (Kim Nazarian, Darmon Meader, Lauren Kinhan and Peter Eldridge) in collaboration with the talented students of William Paterson’s 18-piece Jazz Orchestra, with exciting performances of NY Voices’ lead arranger Meader’s great arrangements of standards and big band hits.
New York Voices
The young violinist Daisy Castro has grown to become a major part of gypsy jazz music worldwide, including appearances at Django Reinhardt celebrations in New York, across the US and Europe. Daisy began violin studies in the usual way with Suzuki and school orchestras, but fell in love with gypsy jazz on a France visit with her parents. Her debut CD, Gypsy Moth was released at age 13, and she has been appearing on the world’s stages since then, appearing with violinist Mark O’Connor, guitarist Howard Alden, and many more. Her high-energy gypsy swing will certainly make a wonderful impression in her first Jazz Room performance.
With the inspiration that Nat King Cole’s TV show brought to the American public which included so many amazingly talented singers such as Dinah Washington, Ella Fitzgerald, Peggy Lee, Carmen McRae and many others, John Pizzarelli and Catherine Russell pay homage to Nat King Cole and these iconic singers. This new show is timely for John Pizzarelli who recently released a Nat King Cole tribute album. He also shares a deep connection to William Paterson with his father and historic jazz guitarist Bucky Pizzarelli. Catherine Russell returns by popular demand. Together, they bring Nat King Cole’s most memorable hits such as Route 66, Straighten Up and Fly Right, and Paper Moon along with the timeless works from Billie Holiday and the Ladies of Song.
Admission: $45 Orchestra • $40 Loge • $10 WP students**20% off for WP employees, alumni, and senior citizens by calling (973-720-2371) or visiting the box office in Shea Center lobby.
John PizzarelliCatherine Russell
Inaugurated in the spring of 1978, the Jazz Room Series is the longest-running campus-based jazz concert series in the nation. With a tradition of encompassing the complete spectrum of jazz from New Orleans to the avant-garde, it features world-class professionals and William Paterson student ensembles. There are three series of concerts each year, including the six-concert Fall and Spring Jazz Room Series, and the weeklong Summer Jazz Room held the third week of July.
The Jazz Room has received over two decades of continuous grant support from the New Jersey State Council on the Arts/Department of State, as well as numerous grants from the National Endowment for the Arts, and the Geraldine R. Dodge Foundation. The series has been featured on national and metropolitan-area media, including recorded broadcasts and live CD recording sessions.
The Jazz Room Series is directly connected to the William Paterson Jazz Studies Program. Unique among college and university programs, the Jazz Studies program is one of the few in the nation with an emphasis on small-group playing, improvisation, and a genuine commitment to the jazz tradition. Founded by music faculty member Martin Krivin and joined by trumpeter/arranger Thad Jones in 1973, the program was led by bassist Rufus Reid for twenty years, then by the great jazz pianists James Williams, Mulgrew Miller, and most recently Bill Charlap, who accepted the position in fall 2015. The program is co-led and coordinated by David Demsey. The artist/teacher faculty is made up of world-class New York area professionals.
The program is a true jazz environment in which students learn firsthand about the jazz world and the requirements for becoming a successful professional musician. Jazz majors come to William Paterson this year from twenty-six states and six foreign countries, including a number of Fulbright Scholars.
The University also presents the Summer Jazz Workshop for high school students. The University's Summer Jazz Workshop, active since 1994, is a week-long intensive program in late July, featuring classes, small-group rehearsals and performances, and clinics taught by William Paterson resident faculty and special guest clinicians.
William Paterson University is home to the Living Jazz Archive, which includes the personal music archive of legendary trumpeter and educator Clark Terry, as well as the archives of Thad Jones, James Williams and Michael Brecker. The Living Jazz Archive provides students, researchers, and visitors with the opportunity to explore original jazz manuscripts and other materials that are an important part of jazz history.
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